Tucked away on a table at the end of a booth in the far left
part of the Display Week 2014 Exhibit Hall sat a glass toaster. This is an incongruous device to be put on
view at a display technology show, but it was an intriguing part of the larger
story about a new transparent conductor material from Cima NanoTech.
The company produces a material that it calls “SANTE,” which
is based on a self-organizing silver layer that forms random nanostructures
that are so small that they are effectively transparent. The high conductivity
of the sliver layer makes it well suited for a variety of applications,
especially in creating projected capacitive touch panels for displays. In fact,
Cima NanoTech had demonstrations that did not even require that you touch the
surface of the display; the panel could detect the presence of a finger
hovering above it.
The silver material creates random nanostructures that are
similar to the patterns left behind when soap suds dry on a surface. The random
nature eliminates the moiré artifacts that can appear when the touch panel has
a grid structure. The high conductivity delivers high performance even with
large displays. The company showed a 42-inch panel created in partnership with Silicon Integrated Systems Corp. (SiS) that
supported 10-point touch operating at 150 Hz.
The conductive layer is deposited as a wet coat that
self-assembles on the substrate. It can be placed on glass or plastic film.
Using plastic film, it creates touch screens that are lightweight, durable, and
flexible.
The silver layer has other applications, however. If you run
enough current through it, it heats up. This means that you can put a
transparent conductive layer on anything from a car windshield to ski goggles,
and the heating can defrost and defog the device. And that leads us back to the
glass toaster. Initially created as a technology demonstration, engineers
wanted to show that the material could get hot enough to cook toast. And it
works. In fact, some manufacturers have expressed interest in actually creating
a production version of the design. –
Alfred Poor
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